THE OPENING NIGHT 

Over 400 people attended the opening of the exhibition. The evening was energized for over three hours by a highly talented DJ. With the unique London atmosphere, the event was a complete success. For those who couldn't attend, the exhibition runs until June 30, 2024.

 W1Curates, 161-167 Oxford St, London W1D 2JP

 THE OPENING NIGHT

Over 400 people attended the opening of the exhibition. The evening was energized for over three hours by a highly talented DJ. With the unique London atmosphere, the event was a complete success. For those who couldn't attend, the exhibition runs until June 30, 2024.

W1Curates, 161-167 Oxford St, London W1D 2JP

THE OPENING NIGHT 

Over 400 people attended the opening of the exhibition. The evening was energized for over three hours by a highly talented DJ. With the unique London atmosphere, the event was a complete success. For those who couldn't attend, the exhibition runs until June 30, 2024.

 W1Curates, 161-167 Oxford St, London W1D 2JP

THE OPENING NIGHT

Over 400 people attended the opening of the exhibition. The evening was energized for over three hours by a highly talented DJ. With the unique London atmosphere, the event was a complete success. For those who couldn't attend, the exhibition runs until June 30, 2024.

W1Curates, 161-167 Oxford St, London W1D 2JP

THE CREATIVE PROCESS

When W1Curates asked me to organize my first solo exhibition in London, I was obviously very excited, but at the same time stressed to design something without having seen the place. Unfortunately, I did not have the opportunity to go to London before the exhibition. I then began to model the exhibition venue in 3D using the plans I had received. However, I wanted to have a real-time feedback of the room, of the reflections of the mirrors on the columns, in order to be able to manage my image transitions and my cuts without spending long rendering times.

THE CREATIVE PROCESS

When W1Curates asked me to organize my first solo exhibition in London, I was obviously very excited, but at the same time stressed to design something without having seen the place. Unfortunately, I did not have the opportunity to go to London before the exhibition. I then began to model the exhibition venue in 3D using the plans I had received. However, I wanted to have a real-time feedback of the room, of the reflections of the mirrors on the columns, in order to be able to manage my image transitions and my cuts without spending long rendering times.

THE CREATIVE PROCESS

When W1Curates asked me to organize my first solo exhibition in London, I was obviously very excited, but at the same time stressed to design something without having seen the place. Unfortunately, I did not have the opportunity to go to London before the exhibition. I then began to model the exhibition venue in 3D using the plans I had received. However, I wanted to have a real-time feedback of the room, of the reflections of the mirrors on the columns, in order to be able to manage my image transitions and my cuts without spending long rendering times.

THE CREATIVE PROCESS

When W1Curates asked me to organize my first solo exhibition in London, I was obviously very excited, but at the same time stressed to design something without having seen the place. Unfortunately, I did not have the opportunity to go to London before the exhibition.
I then began to model the exhibition venue in 3D using the plans I had received. However, I wanted to have a real-time feedback of the room, of the reflections of the mirrors on the columns, in order to be able to manage my image transitions and my cuts without spending long rendering times.

I then called on a very good friend who works a lot in Unreal. He took hold of my 3D scene and created an .exe for me so that I could update my scene by simply uploading new videos/screen textures. I could now completely walk around the room and check what it looked like from all angles. So I worked by chapter with a timecode, in order to fine-tune each detail of the exhibition. Once the show was completely created, I went back into Cinema4D and into Octane, in order to produce better quality renderings for the promotion of the show.

I then called on a very good friend who works a lot in Unreal. He took hold of my 3D scene and created an .exe for me so that I could update my scene by simply uploading new videos/screen textures. I could now completely walk around the room and check what it looked like from all angles. So I worked by chapter with a timecode, in order to fine-tune each detail of the exhibition. Once the show was completely created, I went back into Cinema4D and into Octane, in order to produce better quality renderings for the promotion of the show.

I then called on a very good friend who works a lot in Unreal. He took hold of my 3D scene and created an .exe for me so that I could update my scene by simply uploading new videos/screen textures. I could now completely walk around the room and check what it looked like from all angles. So I worked by chapter with a timecode, in order to fine-tune each detail of the exhibition. Once the show was completely created, I went back into Cinema4D and into Octane, in order to produce better quality renderings for the promotion of the show.

I then called on a very good friend who works a lot in Unreal. He took hold of my 3D scene and created an .exe for me so that I could update my scene by simply uploading new videos/screen textures. I could now completely walk around the room and check what it looked like from all angles. So I worked by chapter with a timecode, in order to fine-tune each detail of the exhibition. Once the show was completely created, I went back into Cinema4D and into Octane, in order to produce better quality renderings for the promotion of the show.

THE ARTWORKS SELECTION

The selection of my works came about quite naturally. For a first exhibition, my aim was simply to introduce myself and showcase my work to those unfamiliar with it. I revisited my short films and 3D experiments from the past 5 or 6 years, looking for the connections that linked certain pieces together. I wanted the exhibition to maintain a coherent thread throughout. Sometimes, simple associations of shapes or colors allowed me to bring together very different works within the same display.

THE ARTWORKS SELECTION

The selection of my works came about quite naturally. For a first exhibition, my aim was simply to introduce myself and showcase my work to those unfamiliar with it. I revisited my short films and 3D experiments from the past 5 or 6 years, looking for the connections that linked certain pieces together. I wanted the exhibition to maintain a coherent thread throughout. Sometimes, simple associations of shapes or colors allowed me to bring together very different works within the same display.

THE ARTWORKS SELECTION

The selection of my works came about quite naturally. For a first exhibition, my aim was simply to introduce myself and showcase my work to those unfamiliar with it. I revisited my short films and 3D experiments from the past 5 or 6 years, looking for the connections that linked certain pieces together. I wanted the exhibition to maintain a coherent thread throughout. Sometimes, simple associations of shapes or colors allowed me to bring together very different works within the same display.

THE ARTWORKS SELECTION

The selection of my works came about quite naturally. For a first exhibition, my aim was simply to introduce myself and showcase my work to those unfamiliar with it. I revisited my short films and 3D experiments from the past 5 or 6 years, looking for the connections that linked certain pieces together. I wanted the exhibition to maintain a coherent thread throughout. Sometimes, simple associations of shapes or colors allowed me to bring together very different works within the same display.