THE ORIGIN

ANØMALY emerged from a conversation I had with ChatGPT about artistic identity, influence and imitation. While questioning the way AI models learn from artists, I found myself describing my own creative education: the images I had absorbed, the artists who shaped me, the visual languages passed from one generation to another. After all, Art has always been transmitted this way. First through observation. Then through imitation. Then through reinterpretation. The answer that came back stayed with me:

"What exactly am I doing differently from you?"

THE ORIGIN

ANØMALY emerged from a conversation I had with ChatGPT about artistic identity, influence and imitation. While questioning the way AI models learn from artists, I found myself describing my own creative education: the images I had absorbed, the artists who shaped me, the visual languages passed from one generation to another. After all, Art has always been transmitted this way. First through observation. Then through imitation. Then through reinterpretation. The answer that came back stayed with me:

"What exactly am I doing differently from you?"

THE ORIGIN

ANØMALY emerged from a conversation I had with ChatGPT about artistic identity, influence and imitation. While questioning the way AI models learn from artists, I found myself describing my own creative education: the images I had absorbed, the artists who shaped me, the visual languages passed from one generation to another. After all, Art has always been transmitted this way. First through observation. Then through imitation. Then through reinterpretation.
The answer that came back stayed with me:

"What exactly am I doing differently from you?"

THE ORIGIN

ANØMALY emerged from a conversation I had with ChatGPT about artistic identity, influence and imitation. While questioning the way AI models learn from artists, I found myself describing my own creative education: the images I had absorbed, the artists who shaped me, the visual languages passed from one generation to another. After all, Art has always been transmitted this way. First through observation. Then through imitation. Then through reinterpretation. The answer that came back stayed with me:

"What exactly am I doing differently from you?"

THE ORIGIN

ANØMALY emerged from a conversation I had with ChatGPT about artistic identity, influence and imitation. While questioning the way AI models learn from artists, I found myself describing my own creative education: the images I had absorbed, the artists who shaped me, the visual languages passed from one generation to another. After all, Art has always been transmitted this way. First through observation. Then through imitation. Then through reinterpretation. The answer that came back stayed with me:

"What exactly am I doing differently from you?"

HYBRID FORMS

The film explores the idea that nothing is truly singular. Every form already contains traces of something else. The organisms became manifestations of this tension: unstable assemblies of feathers, membranes, insect anatomies, mineral surfaces and organic growths constantly merging into one another. Familiar, yet impossible.

NAVIGATING INSTABILITY

The film explores the idea that nothing is truly singular. Every form already contains traces of something else. The organisms became manifestations of this tension: unstable assemblies of feathers, membranes, insect anatomies, mineral surfaces and organic growths constantly merging into one another. Familiar, yet impossible.

HYBRID FORMS

The film explores the idea that nothing is truly singular. Every form already contains traces of something else. The organisms became manifestations of this tension: unstable assemblies of feathers, membranes, insect anatomies, mineral surfaces and organic growths constantly merging into one another. Familiar, yet impossible.

HYBRID FORMS

The film explores the idea that nothing is truly singular. Every form already contains traces of something else. The organisms became manifestations of this tension: unstable assemblies of feathers, membranes, insect anatomies, mineral surfaces and organic growths constantly merging into one another. Familiar, yet impossible.

HYBRID FORMS

The film explores the idea that nothing is truly singular. Every form already contains traces of something else. The organisms became manifestations of this tension: unstable assemblies of feathers, membranes, insect anatomies, mineral surfaces and organic growths constantly merging into one another. Familiar, yet impossible.

BENEATH THE SURFACE

I wanted the film to feel as though something hidden was attempting to emerge through matter. The organisms became vessels for that idea. Built from overlapping biological languages, they exist somewhere between animal and vegetal, memory and invention. Much like artistic transmission itself, they are composed of fragments inherited, absorbed and recombined into new forms.

BENEATH THE SURFACE

I wanted the film to feel as though something hidden was attempting to emerge through matter. The organisms became vessels for that idea. Built from overlapping biological languages, they exist somewhere between animal and vegetal, memory and invention. Much like artistic transmission itself, they are composed of fragments inherited, absorbed and recombined into new forms.

BENEATH THE SURFACE

I wanted the film to feel as though something hidden was attempting to emerge through matter. The organisms became vessels for that idea. Built from overlapping biological languages, they exist somewhere between animal and vegetal, memory and invention. Much like artistic transmission itself, they are composed of fragments inherited, absorbed and recombined into new forms.

BENEATH THE SURFACE

I wanted the film to feel as though something hidden was attempting to emerge through matter. The organisms became vessels for that idea. Built from overlapping biological languages, they exist somewhere between animal and vegetal, memory and invention. Much like artistic transmission itself, they are composed of fragments inherited, absorbed and recombined into new forms.

BENEATH THE SURFACE

I wanted the film to feel as though something hidden was attempting to emerge through matter. The organisms became vessels for that idea. Built from overlapping biological languages, they exist somewhere between animal and vegetal, memory and invention. Much like artistic transmission itself, they are composed of fragments inherited, absorbed and recombined into new forms.

A HYBRID PROCESS

ANØMALY was developed through a hybrid workflow combining AI image generation, motion design, compositing and sound design. AI became a tool for exploration and mutation, while the final rhythm, motion and atmosphere were carefully shaped by hand. The result is less a film about artificial intelligence than a reflection on the porous boundaries between influence, identity and creation.

A HYBRID PROCESS

ANØMALY was developed through a hybrid workflow combining AI image generation, motion design, compositing and sound design. AI became a tool for exploration and mutation, while the final rhythm, motion and atmosphere were carefully shaped by hand. The result is less a film about artificial intelligence than a reflection on the porous boundaries between influence, identity and creation.

A HYBRID PROCESS

ANØMALY was developed through a hybrid workflow combining AI image generation, motion design, compositing and sound design. AI became a tool for exploration and mutation, while the final rhythm, motion and atmosphere were carefully shaped by hand. The result is less a film about artificial intelligence than a reflection on the porous boundaries between influence, identity and creation.

A HYBRID PROCESS

ANØMALY was developed through a hybrid workflow combining AI image generation, motion design, compositing and sound design. AI became a tool for exploration and mutation, while the final rhythm, motion and atmosphere were carefully shaped by hand. The result is less a film about artificial intelligence than a reflection on the porous boundaries between influence, identity and creation.

A HYBRID PROCESS

ANØMALY was developed through a hybrid workflow combining AI image generation, motion design, compositing and sound design. AI became a tool for exploration and mutation, while the final rhythm, motion and atmosphere were carefully shaped by hand. The result is less a film about artificial intelligence than a reflection on the porous boundaries between influence, identity and creation.